Mo Yan and the Chinese Mind&Li Jingze

Originality and Transcendence：What Mo Yan Has Enlightened Us&Guo Jie

Hallucination，Localization and Folk Narrative Tradition：Mo Yan and Literary Criticism&Cheng Guangwei

Folkness and Literature：The Chinese Experience in Mo Yan's Narratives&Zhang Ning

Mnemonics：Intergenerational Metaphor，Ideological Fantasy and Memory Field：A Reading of Mo Yan's The Transparent Carrot&Wang Min

Childhood Narrative：The Richness of Meanings in Reinterpretation of Mo Yan's The Transparent Carrot&Wang Yusong

Samsara，Violence and Satire：A Discussion of the Absurd Narration in Mo Yan's Life and Death Are Wearing Me Out&Wu Yaozong

The Carnivalesque Narrative of the Devil Dance：Mo Yan's Narrative Characteristics in Red Sorghum Clan&Ding Guoxing and Chen Haiquan

The Historical Image and the History of the Image：A Discussion of Gains and Losses in Mo Yan's Red Sorghum Clan&Jiang Chun

Is Big Breasts and Wide Hips an“Almost Reactionary Work”？：Comments on the Conceptions and Methods of Mr.He Guorui's Literary Criticism&Yi Zhuxian and Chen Guo'en

The Fact and Fable in The Republic of Wine：About Mo Yan's Narrative Strategies&Zhou Yingxiong

Elegy of History and the Swan Song of Life：A Discussion of Mo Yan's New Novel Sandalwood Death&Han Chen

“Biopolitics”and Historical Writing：A Discussion of Mo Yan's Frog&Li Songrui

Mo Yan and William Faulkner：Construction and Interpretation of Folk Mythology&Li Yingfeng

Notes on Contributors

Notes on Translators

Appendix：Partial Lists of Mo Yan's Works in Both Chinese and English