INTRODUCTION

0.1 Statement of the study

0.2 Aesthetic progression in literary translation

0.2.1 Aesthetic progression in the sense of the translating process

0.2.2 Aesthetic progression in the sense of mental process

0.2.3 Image and translation

0.2.4 Translator and actualization

0.3 Structure of the study

PART ONE IMAGEGESTALT IN LITERARY TRANSLATION

Chapter 1 GESTALT IMAGES

1.1 Images in the general sense

1.2 Image in the gestalt sense

1.3 Gestalt qualities of image-G

1.3.1 Gestalt qualities in an image-G

1.3.2 Individual qualities in an image-G

1.4 Interactional actualization of gestalt qualities

Chapter 2 INTERNAL STRUCTURE OF IMAGE-G

2.1 Scenes-and-frames integration

2.2 Scenic progression in the gestalt image

2.3 Image-realization in different languages

Chapter 3 IMAGE-G IN LITERARY TRANSLATION

3.1 Image-G and the aesthetic effect of harmony

3.2 Image-G and the gestalt structure

3.3 Gestalt qualities and individual items

3.3.1 Image-G and gestalt experience

3.3.2 The whole and the parts

PART TWO THE ROLE OF THE TRANSLATOR

Chapter 4 GESTALT PERCEPTION IN IMAGE-G ACTUALIZATION

4.1 Gestalt perception as an innate capacity

4.2 Gestalt perception of linguistic structures

4.3 Gestalt perception of image-G

4.4 Similarities and dissimilarities between the perception of visual pattern and image

Chapter 5 G-PERCEPTION IN LITERARY TRANSLATION

5.1 Similar schema and“simpatico”

5.2 Dissimilar schema and active operation

5.3 Psychological faculties that contribute to the active operation

5.3.1 Imaginative faculty

5.3.2 Reflective or accommodative operation

CONCLUSION

REFERENCE

GLOSSARY