前言

Chapter Ⅰ Introduction

1.1 A Critical Review of the Snopes Trilogy

1.2 A Theoretical Overview of Deconstruction

1.3 The Popic and Task of the Dissertation

Chapter Ⅱ TheHamlet:Signification in Motion

2.1 Signification in Motion:Saussure Deconstructed

2.2 Intrasemiotic Motion:Différance in The Hamlet

2.3 Intersemiotic Motion:Supplement in The Hamlet

2.4 Transsemiotic Motion:Rhetoricity in The Hamlet

Chapter Ⅲ The Town:Text in Dissemination

3.1 Dissemination and Text

3.2 Intertextual Dissemination:The Town and its Yoknapatawpha sisters

3.3 Intratextual Dissemination in The Town

3.4 Extratextual Dissemination:The Town and Its Allusions

Chapter Ⅳ TheMansion:Existence After Subversion

4.1 Existence in a Subverted World

4.2 Mink's Subversion of"the Old Moster”and"them-they-it"

4.3 Linda's Subversion of Her Generalissimos

4.4 Flem's Subversion of His Own Existence

Chapter Ⅴ Conclusion

Bibliography

Acknowledgements

Appendix Ⅰ The Family Genealogy of the Snopeses

Appendix Ⅱ Faulkner Research in China:Retrospects and Prospects

Appendix Ⅲ The Sound and the Fury:Three Selves and Four Orders

Appendix Ⅳ Structural Aesthetics of the Stream-of-Consciousness Fiction:A Case Study on"The Mark on the Wall"

Appendix Ⅴ A Corpus-Based Research on Faulkner's Works